Metropolitan Seminars in Art. Portfolio 8 Techniques by John Canaday

By John Canaday

In Fifteen Portfolios.

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Is Art in When New York the work painter's decorative style, with Aztec and of also wall. Sugar Cane is the walls of the Palace of Cortez Ln vaca. It The ages cane for a parasite The criticism might be supposed to be an tice, Cuema- that since this how is Mexicans is pictorial vocabulary of the is artist is nature of im- limitless in every direction. We have some frescoed images in the painter finds expression in a technique as meticulous as fresco illustration of social injus- the general air of the but revealing tech- which technique is inherently a part of that expression.

Some twenty-four years after the completion of the ceiling Michelangelo called upon to do another stupendous fresco, this time for the end wall of same chapel. The Last Judgment is a terrifying composition full of violence, wrath, and despair; it reflects the bitterness of the aging genius. The ceiling frescoes tell the story of man's creation, his frailty and his fall, his chance for redemption after the Flood, and his continued frailty, as symbolized by Noah's drunkenness. But in its prophecy of the coming of Christ, who will redeem mankind because mankind is too weak to achieve its own redemption, the ceiling ends on a note of serenity.

But in its prophecy of the coming of Christ, who will redeem mankind because mankind is too weak to achieve its own redemption, the ceiling ends on a note of serenity. The titanic figures swarming across it are noble even when they are most disturbed. But in The Last Judgment Michelangelo holds no faith in man and no compassion for him. Although like other Last Judgments this one includes the ascension of the was the blessed into heaven as well as the descent of the damned into hell, Michel- but crowded out by the torrent of the damned, who are represented with an almost vicious fury.

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