By Michael F. Ashby, Kara Johnson
Fabrics are the stuff of layout. From the very starting of human background, fabrics were taken from the flora and fauna and formed, transformed, and tailored for every little thing from primitive instruments to fashionable electronics. This well known booklet through famous fabrics engineering writer Mike Ashby and commercial dressmaker, Kara Johnson, explores the function of fabrics and fabrics processing in product layout, with a specific emphasis on developing either wanted aesthetics and performance. the recent version will characteristic much more of the hugely worthy "materials profiles," that supply severe layout, processing, functionality and functions standards for every fabric in query. The reader will locate details starting from the popular and advertisement names of every fabric, its actual and mechanical homes, its chemical homes, its universal makes use of, the way it is usually made and processed, or even its general fee. And with better images and drawings, the reader might be taken much more heavily to the best way actual layout is finished by way of genuine designers, opting for the optimal fabrics for a profitable product.
* the easiest consultant ever released at the at the function of fabrics, earlier and current, in product improvement, by way of famous fabrics authority Mike Ashby clothier Kara Johnson--now with even larger images and drawings at the layout Process
* major new part at the use of re-cycled fabrics in items, and the significance of sustainable layout for synthetic items and services
* stronger fabrics profiles, with addition of latest fabrics forms like nanomaterials, complicated plastics and bio-based materials
Note: Retail-quality, searchable PDF
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Additional info for Materials and Design: The Art and Science of Material Selection in Product Design (2nd Edition)
25 Chapter 2 · What Inﬂuences Product Design? J. B. (1985) “Innovation: Mapping the Winds of Creative Destruction”, Research Policy, Number 14, pp. 3–22. F. (2009) “Materials and the Environment”, Butterworth-Heinemann, Oxford, uk. isbn 978-1-85617-608-8. ) Bang & Olufsen (2002) Product Catalogue and website. P. (1985) “The Tower and the Bridge, New Art of Structural Engineering,” Princeton University Press, Princeton, nj, asm. isbn 0-69102393-x. (Professor Billington, a civil engineer, argues that great structures – the Brooklyn Bridge, the skyscrapers of Chicago, the concrete roof-shells of Pier Luigi Nervi – not only overcome technical challenges but also achieve the status of art.
Emotional attributes describe how a material or product makes you feel – happy, sad, threatened perhaps – “emotional ergonomics,” in the words of Richard Seymour of SeymourPowell, London. To these we add the idea of style, based on design history. Styles have names: Art Nouveau, Art Deco, Modernist, Post-Modern, etc. Each is shorthand, so to speak, for a particular grouping of aesthetic, perceived and emotional attributes and associations – one about which there is general agreement. Design styles, sometimes, are linked to certain materials, but it cannot be said that a material has a style, only that it acquires one when it becomes part of a product.
Contemporary mobiles exploit the visual and tactile attributes of materials, to produce products that appeal to a wider range of social groups and to create shifting design trends that makes a one-year-old model appear out of date. Translucent cases with dimly visible innards, pop-art or high-art décor like the “Mona Lisa” and limited editions – all are ways of stimulating markets. Perceived value has now supplemented technical value as a driver in design. Other recent innovations have followed the same patterns, with differing timescales.