Madame Bovary by Gustave Flaubert

By Gustave Flaubert

Emma Bovary is an avid reader of soft novels; pointed out on a Normandy farm and convent-educated, she longs for the fervour of romance. at the beginning, Emma pins her hopes on marriage, yet lifestyles together with her well-meaning husband within the provinces leaves her bored and disillusioned. She seeks get away via extravagant spending sprees and, finally, adultery. As Emma pursues her most unlikely reverie she seals her personal wreck and depression. beautiful, relocating, every now and then ferociously satirical and continuously psychologically acute, Madame Bovary continues to be one of many maximum, so much beguiling novels ever written.
This lovely new translation, via the distinguished novelist Adam Thorpe, delicately and meticulously transposes the rhythms, tone and poetry of Madame Bovary and brings us toward its moving depths. it really is destined to turn into the definitive English translation of our time.

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Extra info for Madame Bovary

Sample text

When he was twelve, his mother was finally allowed to start him on his studies. They assigned these to the priest. But the lessons were so brief and so poorly followed, that they could serve little purpose. They were given at spare moments, in the sacristy, standing up, in a rush, between a baptism and a burial; or else the priest would send for his pupil after the evening Angelus, if he had not to go out. You went up to his room, you settled down: the midges and the moths swirled around the tallow.

Not worth her while cutting such a dash, nor exhibiting herself at Sunday church in a silk dress, acting the countess. ’ Charles stopped going back to Les Bertaux, from sheer weariness. Héloïse made him swear that he would no longer go there, hand on his prayer book, after a great many sobs and kisses, in a vast explosion of love. So he obeyed; but the boldness of his desire protested against the slavishness of his behaviour, and, by a sort of innocent hypocrisy, he considered that this prohibition from seeing her gave him the right to love her.

An eye-witness, a schoolboy in a rowdy class, recalls watching the trembling new boy, Charles Bovary, arrive during term time. A few pages later, the same narrator, his voice popping up without warning, claims to remember ‘nothing about him’. Having annulled himself, he vanishes. We then have a supple narrator who seems both limited and omniscient, varying between microscopic intimacy and a disdainful loftiness that apparently reaches its extreme with Emma’s unseen coupling in the hackney coach.

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