Urban Planning Development

Cultural Planning: An Urban Renaissance? by Graeme Evans

By Graeme Evans

Utilizing an old and modern research, Cultural making plans examines how and why the cultures were deliberate and the level to which cultural facilities were thought of on the town making plans. From its historic roots within the towns of classical Athenian, Roman and Byzantium empires, to the ecu Renaissance, public tradition exhibits either an ancient continuity and modern reaction to monetary and social switch. while the humanities are thought of an extension of welfare provision and human rights, the inventive industries and cultural tourism also are very important for financial development and employment within the post-industrial age. despite the fact that, the recent 'Grand Projects', which glance to the humanities as a component of city regeneration, are typically on the expense of either neighborhood cultural facilities and a culturally varied society.
Cultural Planning is the 1st booklet at the making plans of the humanities and tradition and the interplay among the country arts coverage, the cultural economic system and city and town making plans. It makes use of case experiences and examples from Europe, North the US and Asia.
The booklet demands the adoption of consultative making plans coverage, distributive types and a extra built-in method of either tradition and concrete layout, to avoid the reinforcement of latest geographical and cultural divides.

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Extra resources for Cultural Planning: An Urban Renaissance?

Sample text

As Porter goes on, citing Hogarth, Pope and Johnson: ‘Lions of culture were unashamed about turning art to advantage’. There is of course a serious argument that creative talent, the emergence of artists, innovators, etc. e. it is demand led. This is also the case in terms of urban development and planning, as Wheatley observed: ‘It is doubtful if a single, autonomous, causative factor will ever be identified in the nexus of social, economic and political transformations which resulted in the emergence of urban forms’ (quoted in Kostof 1999:32).

Other similar structures were put up for musical and religious performances. Originally a colonnaded long plan, the square plan developed to facilitate audiences that sat or stood on tiered benches or steps around three sides. However this necessitated internal columns that interfered with the audience’s view—a perennial problem for theatres which only recent building technology allowing wide spanning structures has avoided. Finally, the theatre was a place for public meetings as well as dramatic productions, originally a convenient hollow hillside, later to be banked and excavated and with removable wooden seats.

The Westernised models of urban regeneration and architecture are evident in many of these developing countries, echoing the universalist approach to the development of heritage sites by the World Bank and others. The involvement of Western development agencies in the promotion of culture within developing and restructuring states provides another example of where cultural planning might engage with community and cultural needs, rather than the heritage tourism strategy adopted to regeneration here as in post-industrial cities in more advanced states.

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